马克·詹金导演执导的《诱饵》，2019年上映至今获得了不错的口碑，由西蒙·谢泼德,特里斯坦·斯特罗克,Mary,Woodvine,艾萨克·伍德文,爱德华·罗等主演的一部不错的剧情片。

诱饵剧情：

康沃尔渔村的(✒)风景明信片田(🐌)园诗误导了人们。虽然(🔱)过去(qù )(🤢)钓鱼是一种养(🎹)家糊口的方(🌰)式(🍖)，但(🏴)如今(jīn )富(fù )有的伦敦(📿)游(yóu )客(kè )纷纷(fēn )下山，取(🏇)代(♑)了(📼)当地人，当地人(🔸)的生(shēng )计因此受到威(🕯)胁。史(shǐ )蒂(dì )文和马丁兄弟的(de )关(guān )系也很紧张。马(mǎ )丁是(✖)一个没有船的渔夫(fū )，因(yīn )为史(shǐ )蒂(🔊)文开始(shǐ )用它来(🧚)为一整(zhěng )天的游(🚨)客(🛑)提供更(🖲)赚(🔢)钱的旅(lǚ )游。他们卖掉了这座家(📙)庭别(✋)墅，现在看(kàn )来，最后一场战斗是和新主人在海边(👃)的(🧤)停(tíng )(🔔)车位上展开(kāi )。然而，情况(🎋)很快就(jiù )失控了，而不仅仅(jǐn )是因(yīn )为(🈁)车(❕)轮夹钳。Bait是一(🚗)种(🐾)黑白(bái )，手(shǒu )工制作，16毫米胶(jiāo )片制作的电(diàn )影(📟)。许多(duō )关于(yú )鱼、网、龙虾、长靴、绳(shéng )结(📛)和(🔤)渔(👌)篮(💏)的特(🥤)写(🔷)镜头让人想起了(le )蒙(méng )(🔞)太奇(qí )景(jǐng )点(🔎)的(🌂)理论。对不同社会阶(jiē )层的描述——(🚽)可(kě )以说是阶级关(guān )系——也让(ràng )人(rén )想起(qǐ )(🛃)了英(👩)国电影中(zhōng )的社(shè )会现实主义传统。然而，最重要的是，在影像中(🔍)不(bú )同层次的电影历史参考文献之下(💨)，当前(qián )许(xǔ )多政治关联(lián )正在等待(dài )(🔍)被发现。The picture-postcard idyll of the Cornwall fishing village is misleading. While fishing used to be a way of supporting oneself, wealthy London tourists have now descended and are displacing the locals, whose livelihood is thus threatened. The relationship between brothers Steven and Martin is also strained. Martin is a fisherman without a boat, since Steven started using it for far more lucrative tours for all the day-trippers. They’ve sold the family cottage and now it seems that the final battle to be fought is that with the new owners over the parking space next to the sea. Yet the situation soon gets out of hand, and not just because of the wheel clamp.Bait is a black-and-white film shot on hand-processed 16mm. Numerous close-ups of fish, nets, lobsters, wellington boots, knots and catch baskets bring to mind the theory of a montage of attractions. The depiction of the different social strata –(🎁) one could speak of class relations – is also reminiscent of the tradition of social realism in British cinema. Above all, however, a whole lot of current political relevance is waiting to be discovered beneath the different layers of film historical references contained in the images.

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